Halloween fashion has a habit of becoming either aggressively literal or strangely expensive-looking for something you will wear exactly once. Zara, apparently, would prefer we take a different approach. For its new CATS capsule, the Spanish retailer...
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Massimo Dutti Wants You to GTFO and in nature for Fall 2026 ft. Karolina Spakowski
Karolina Spakowski fronts the story, photographed by Ed Martin, wearing a wardrobe that manages to stay remarkably composed while everything around her looks slightly less interested in behaving. That tension is what makes the images work.
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Joe Hart Gets Dangerously Close to Mexico’s Lucha Libre in Aspirantes
At a lucha libre match, staying out of the way is apparently optional. London-based photographer Joe Hart learned this fairly quickly while making Aspirantes, his new photographic study of Mexico’s wrestling culture. He spent close to a month bouncing between Mexico City and Oaxaca, finding independent shows, getting himself ringside and discovering that photographing a luchador flying toward you requires a slightly different survival...
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Rayan Ricci Gets Preppy Muscle Treatment for “Más Auténtico” by Ferran Casanova
Photographer Ferran Casanova teams up with actor Rayan Ricci for “Más Auténtico,” a polished new fashion story appearing in the August 2026 issue of Esquire Colombia. With Giorgio Ammirabile serving as fashion editor and stylist, Eva Piqué on hair and makeup, and production and casting by The Artist Talents, the editorial plays with the familiar codes of preppy menswear while...
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Karlie Kloss Is Still That Girl, Only Now She Has More to Say at the Dinner Table
Now, ten years after she became the face of Carolina Herrera's Good Girl fragrance, Kloss is revisiting the role for the Fall 2026 issue of V Magazine. The story is appropriately titled “Still That Girl,” although the accompanying conversation makes a convincing case that she is, perhaps inconveniently for anyone attempting to put her in a box, several other girls too.
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Rebecca Hall Meets Her Stranger Self for Maison Margiela F/W 2026
In Anonymity, the new campaign for Maison Margiela’s Fall/Winter 2026 collection, Hall finds herself opposite a masked double who looks suspiciously like the person she is supposed to be. The campaign is directed and photographed by Thibaut Grevet and plays like the trailer for a thriller that never actually gets released. Which is, honestly, a very Margiela thing to do.
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Pucci Fall 2026 Is Ready to Stay Out Until Sunrise
For its latest campaign, Il Palio, the Italian house takes inspiration from one of Siena's oldest traditions, the Palio horse race, and gives it a considerably more chaotic destination: the dance floor. Under creative director Camille Miceli, the history of Siena's contrade, with their flags, symbols, horses, and elaborate heraldry, gets stripped of anything remotely museum-like and sent directly into the nightlife.
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Grindr Agrees to £26 Million Settlement Over UK Privacy Claims
Grindr has agreed to pay £26 million to settle a UK lawsuit brought on behalf of roughly 12,000 users, who alleged that the dating app improperly disclosed highly sensitive personal information to third parties, including information concerning users’ HIV status.
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Fear of God Looks Toward the Horizon for their latest Campaign
There are clothes designed for a Saturday afternoon, and then there are clothes that seem prepared for someone to wander thoughtfully across a field while reconsidering the entire trajectory of his life. Fear of God has always had a foot in both camps.
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Elie Saab and H&M Want You to Dress Like the Paparazzi Are Waiting
There are clothes you put on because you have somewhere to be, and then there are clothes that make you wonder if you should have somewhere to be. Preferably somewhere with a step-and-repeat, a suspiciously expensive cocktail, and at least three photographers yelling your name.
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Tom Ford Fall 2026 Puts the Focus on Tailoring
Under creative director Haider Ackermann, the new campaign takes a more severe approach to the Tom Ford image. There is little in the way of scenery or decoration. Instead, photographer Stuart Winecoff places the models against a stark white background, using hard lighting that makes every detail of the clothes feel deliberate.
